{"id":421,"date":"2016-03-26T10:01:08","date_gmt":"2016-03-26T10:01:08","guid":{"rendered":"http:\/\/www.seagullindia.com\/stq\/?page_id=421"},"modified":"2016-03-26T12:26:53","modified_gmt":"2016-03-26T12:26:53","slug":"issue-13","status":"publish","type":"page","link":"http:\/\/www.seagullindia.com\/stq\/issue-13\/","title":{"rendered":"Issue 13"},"content":{"rendered":"

\"iss13\"<\/span><\/p>\n

March 1997. Editor: Anjum Katyal<\/span><\/p><\/blockquote>\n

As STQ enters its fourth year, we find ourselves searching for different ways of writing about, documenting, discussing, theatre and performance: other modes of expression and communication. What could these be? What can convey the complex of risk, exploration, uncertainty, discovery, conviction, passion, excitement, partnership, teamwork, connectedness and introspection, that makes up a life in and of theatre.\r\n\r\n<\/span>The visual, for one. Communication through the visual as a vital component, complementing words. Or even confronting them. Or refuting them. At the moment, the visual image is still a marginalized aspect of most theatre documentation or analysis: even when there is access to photography, for example, this medium is utilized in the most utilitarian of ways. We are making a conscious effort to 'think visually' when we document process or performance.<\/span><\/pre>\n
CONTENTS\r\n<\/strong>From Hongkong to India\u00a0Mediating between cultures\u00a0\r\nA process to performance account of the creation of a play\u00a0\r\nParamita Banerjee\r\n\r\n<\/em>'I am ready to perform for just one person'\r\nInterview with Mok Chiu Yu\r\n\r\n<\/em>Waiting for the Bald Soprano\u00a0\r\nSome reflections on the recent Kannada theatre\r\nDr B.K. Banker\r\n\r\n<\/em>Murder in the Cathedral: Browne to Bansi\u00a0\r\nA look at two productions\u00a0\r\nUma Narain\r\n\r\n<\/em>Darpana For Development : Performance And Change\u00a0\r\nThe Darpana Outreach Programme: Performance,Education and Change\u00a0\r\nDr Ralph Yarrow\r\n\r\n<\/em>Keeping chilli powder out of their eyes\u00a0\r\nBetty Bernhard\r\n\r\n<\/em>A brief look at theatre in Kenya\u00a0\r\nSwapna Guha\r\n\r\n<\/em>Theatre Log\r\nOu vas-tu Jeremy? by Magic Lantern\r\nVasanthi Sankaranarayanan\r\n\r\n<\/em>Search: A Seminar on the Future of\u00a0Alternative Theatre\u00a0\r\nBansi Bhattacharya, Paramita Banerjee\r\n\r\n<\/em>Notebook<\/span>\r\n\r\nDownload the complete issue here<\/a><\/strong><\/span><\/pre>\n","protected":false},"excerpt":{"rendered":"
March 1997. Editor: Anjum Katyal As STQ enters its fourth year, we find ourselves searching for different ways of writing about, documenting, discussing, theatre and performance: other modes of expression and communication. What could these be? What can convey the complex of risk, exploration, uncertainty, discovery, conviction, passion, excitement, partnership, teamwork, connectedness and introspection, that … Continue reading “Issue 13”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/www.seagullindia.com\/stq\/wp-json\/wp\/v2\/pages\/421"}],"collection":[{"href":"http:\/\/www.seagullindia.com\/stq\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.seagullindia.com\/stq\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.seagullindia.com\/stq\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.seagullindia.com\/stq\/wp-json\/wp\/v2\/comments?post=421"}],"version-history":[{"count":3,"href":"http:\/\/www.seagullindia.com\/stq\/wp-json\/wp\/v2\/pages\/421\/revisions"}],"predecessor-version":[{"id":619,"href":"http:\/\/www.seagullindia.com\/stq\/wp-json\/wp\/v2\/pages\/421\/revisions\/619"}],"wp:attachment":[{"href":"http:\/\/www.seagullindia.com\/stq\/wp-json\/wp\/v2\/media?parent=421"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}