FORTHCOMING

The Calcutta Trilogy
Three films by Mrinal Sen
Reconstructed and introduced by
Somnath Zutshi

Rs 250
ISBN 81 7046 168 5

Strikingly, different from The Absence Trilogy, which focused on the lives of individuals under social and familial stress,this other trilogy (Interview, Calcutta 71 and Padatik), set in Calcutta in the late 60s and the early 70s, engages with the politics of the radical Naxalite movement, with the social formations and political realities that produced it, and the contradictions that it developed.


Vsevolod Pudovkin :
Selected Essays

Tr. by Yevgeni Filipov
Ed and anno. by Richard Taylor

Rs 750
ISBN 81 7046 086 7

Vsevolod I. Pudovkin (1893-1953) was one of the classic troika of Soviet film directors in the 'golden age' of silent cinema in the 1920s. His name ranked alongside those of Sergei Eisenstein and Dziga Vertov as one of the major cinematic innovators of his time. To audiences in the West his films were at least as well known as- and certainly more accessible than- those of Eisenstein and considerably more widely shown than Vertov's documentaries. The Mother (1926), adapted from the Gorky story, The End of St. Petersburg(1927) and Storm over Asia (also known as The Heir to Genghis Khan) (1928) form a central part of the canon of silent 'art' cinema.


Theatre and Politics :
Selected Essays

Utpal Dutt

Rs 250
ISBN 81 7046 167 7

This collection of Dutt's theatre writings, including his unpublished script for a TV feature, In Search of Theatre, records the evolution of a theatre sensibility, nurtured on Shakespeare and Marxism, and the changing political landscape of a country struggling to free itself from the shackles of colonialism, the postcolonial collapse of dreams and the shock of betrayal-slowly assuming a militant stance and committing itself to a quest for a revolutionary theatre, a project left incomplete at his death.


Political Plays from the Seventies
Hunting the Sun, The Tin Sword,
Nightmare City

Translators : Utpal Dutt, Samik Bandyopadhyay

Rs 175
ISBN 81 7046 165 0

These three very different plays are all from the turbulent 70s in calcutta. They choose different perspectives to critique the contradictions that surfaced in the violent confrontations between the right, the parliamentary left and the radical left, and raised issues like the role of the intellectuals, the role of the arts, and the meanings of violence in such a situation.


Plays for a Revolutionary Project
Titumeer, The Great Rebellion, The Sound of Waves
Translators : Utpal Dutt, Sunipa Basu

Rs 175
ISBN 81 7046 166 9


A dramatic study of revolutions in India, from the precolonial period to the close of the colonial- a millennarian peasants' revolt in 1830-31, the first Indian War of Independence of 1857, and a mutiny of the ratings of the Royal Indian Navy in 1946-exploring human relationships, particularly issues of gender, and the tensions of class and power in a revolutionary situation, all in a rich historic ambience.


Icon and Identity
Of Ideal Women and Scenic Illusions
Rimli Bhattacharya

Rs 395
ISBN 81 7046 087 5

The employment of woman as stage actresses for the public stage in 1873 made Bengali theatre one of the earliest modern workplaces with a primarily metropolitan base in colonial India. Based on primary material as well as extensive readings of secondary material, this study explores from the vantage point offered by theatre history, the relationship between cultural practices and gender roles.


Street Plays from the
Women's Movement

Price Rs 150
ISBN 81 7046 098 0

A historic collection of five plays from different parts of the country which were written in the early 80s as part of the women's movement. The volume is introduced by an essay which studies the history of the women's movement in India and its uses of cultural action, and contextualizes the plays, giving the political and social situations in which they were written and performed.


Raj Darpan: A Casebook
Sumanta Banerjee, Rati Bartholomew,
Anamika Haksar

Price Rs 250
ISBN 81 7046 097 2

This production by the National School of Drama deals with the censorship codes initiated by the British in the last quarter of the 19th century. The Dramatic Performances Act, 1876, was the first of a succession of repressive laws such as the Vernacular Press Act and the Rowlatt Act. The playtext includes historic material such as extracts from 19th and early 20th century plays, banned songs from the early 20s, letters and reconstructions of legal proceedings.



| 1 | 2 | 3 |